Thankful Thursday: Cheap Joy

Dear Stranger. Write a letter, get a letter.

It doesn't take much to make me happy. This week I bought joy for two bucks. Not Trader Joe's Two-Buck Chuck but a more sober sort of happiness: a daffodil bunch for just $1.99.

It's Thankful Thursday, let's recount a week of simple, low-cost, high-reward pleasures:

Chopped Salad. Why does salad taste so much better when someone else makes it? And when it's cut into bite-size pieces?

Pentel Sign Pen. They've got good glide, backed with heft. Oh, how I love these black marker-pens.

Affordable Health Insurance. Better coverage, lower price. This self-employed asthmatic is grateful.

Dear Stranger. Oregon Humanities is bringing back the penpal. You write a letter, and get one in return. So old-school and cool. How are you? I am fine.

Sunshine. A slice, a sliver, a sunbreak. I'll take any scrap of light.

Please join me for Thankful Thursday, a weekly pause to express appreciation for the big things, the small fries, and all the inbetweens. What are you thankful for today?

 

Are you rain or shelter?

A Matter of Fact, a write-over poem by Drew Myron

We're halfway through National Poetry Month. How are you celebrating?

I've been doing write-overs, sorta like a do-over. I just tear a page from an old thrift store book, gently glaze through the words, and then write my own. No intention, no direction, just wandering — with a solid literary foundation to prop me up.

I just love the line: "The sea will never need you" — from Mary's Son, appearing in The Collected Poems of Rudyard Kipling. Bless his heart, Rudyard Kipling is taking me across hill and dale, sea and sky.

So, where is writing taking you?

 

And then we never meet again

Kala Osborn, writing on the Alsea Bay, at age 13.
This is how it works:

I write with kids — sometimes for a day, or a week, sometimes for years. Hunkered over journals, we share chunks of time in which head, heart and words come together all at once. When we share our poems, stories, and secret thoughts, it's beautiful, scary and almost always exhilarating.

And then we meet again — the next day, or week, or never again.

Families break up, parents lose jobs or houses, and children move on or away. But the kids stick in my mind.  The girl with hard eyes and a fast pen. The sneering boy who wrote love poems. The teen with fancy dresses and scars. The youngster who lived in a car.

I remember every one. Not what they wrote (though sometimes I am struck) but the mood and tone, the want and willing, the resistance and reach.

Last week we lost a young writer forever. Kala, an 18 year old high school senior, was killed when her car went over an embankment and into the Alsea River. 

I knew Kala briefly, for just a week, when she was 13 years old. She was a student in Seashore Family Literacy's 2009 Summer Writing Adventure Camp, and we spent the week together hiking, biking, kayaking, and writing through each exploration.

Any Moment in a Kayak

With each stroke, the kayak surges forward.

When you bottom out all you can do is push with your paddle, or hands, or your mind.

The sound of the birds, mixed with the beautiful beating hot sky, is almost enough to put you to sleep.

When you catch the breeze you feel fresh.

When you stop to take it all in and close your eyes, you feel like it is all a dream and at any moment you could wake up and it would be gone.

—  Kala Osborn, age 13


I live in a remote and in many ways untamed place, and tragedy hits hard and quick. One person knows another and another and we carry the weight of too much knowing.

Loss shakes and shows us. See, here, it says, this is how to enter the lives of each other, even briefly. Death reminds us that we are ever shaped, even slightly, by our interaction with others.

Over the years, I've kept in touch with many of the young writers. We write letters, share texts, emails, phone calls, and get together for meals. I see them get jobs, go to school, find love, move away, get lost, get in trouble. . . There are many struggles, too many to name. And the victories sometimes seem too small.

This morning one of my first students — from nearly 10 years ago — shared with me an update on her life. There was no big event, no shaking news, but that she was happy. And that felt enough. That felt like everything.

 

Create, Or, How to Make a Poet Happy

Focus on light, by Drew Myron

Cue the dancing poets. In April, month of spring showers, the sky breaks opens and rains with poems.

It's National Poetry Month and people are feverishly penning a poem-a-day, carrying poems in their pockets, and chalking poems on sidewalks.

Here's how I'm celebrating:

I'm making poemish things.
Poems, orphan lines, and erasures like the one above, and mailing them in the old-fashioned sealed-and-stamped method. Every day a fresh recipient. Want to get good mail? Send your mailing address to dcm@drewmyron.com. (Don't worry, I won't spam, stalk or creep you out).

I'm giving away poetry books.
To enter the Big Poetry Giveaway, go here.

I'm buying books.
My funds aren't flush, but hey, poets deserve some financial love. Diane Lockward sums it best: "Keep in mind as you juggle pennies that a poetry book is one of the best bargains around. Let's say a book has 40 poems in it and sells for $16. That means you're getting each of those poems for a mere forty cents! The poet labored over each one of those poems, probably spending days, weeks, months on each one. Each one of those poems can be read and enjoyed over and over. So this month treat yourself to some wonderful books and, at the same time, make a poet happy."

This month, as you're pelted with poems, remember that no one dies from alliteration. Life can deliver worse injuries. We're armed but harmless.

 

Win Books! Big Poetry Giveaway 2014

Break out the hats & horns, April is National Poetry Month! To celebrate, please join me in the Big Poetry Giveaway, an annual event in which dozens of writer-bloggers offer you chances to win their favorite poetry books. It's fun, easy & spreads good cheer.

My Big Poetry Giveaway

I'm giving away the following two books. To enter the drawing, leave your name in the comment section of this post.

Thin Skin
by Drew Myron

A book of my poems and black-and-white photos. Published in 2013, this is my first solo collection.

What others say about this book:

"She is the poet laureate of vulnerability!"
— Molly Spencer, The Stanza

"This collection confesses a vulnerability that has fostered a proud strength and authentic voice of empathy in its author. Thin Skin exposes the reader to life’s harsh elements, but also shows the way to refuge."
— Brian Juenemann, Pacific Northwest Booksellers Association

And Her Soul Out of Nothing
by Olena Kalytiak Davis

I can't get enough of this book. In fact, I keep giving it away and buying back-up copies. Olena's poems are sharp, piercing and true. I've highlighted, underlined and analyzed the pages to pieces — but don't worry, you'll get a fresh, new copy. 

What others say about this book:

"A treasury of broken meditations and chipped singing, moments of insight and yearning . . . Olena Kalytiak Davis’s poems find evidence of the spirit everywhere, in laundromats, in parking lots and frozen landscapes, in the panic of birds.”
— Dean Young

Big Poetry Backstory:
Five years ago poet Kelli Russell Agodon created the Big Poetry Giveaway. In doing so, she fostered enthusiasm for poetry while also weaving together a community of kind and generous poets. In that spirit, let me introduce myself.

A bit about me:
I'm a writer, editor and poet — who likes reading, writing letters, and people with quick smiles. When not writing, I encourage others to write. I live on the Oregon Coast, and maintain two blogs: Off the Page, sharing Thankful Thursdays and writing-based topics; and 3 Good Books, a feature at Push Pull Books in which I invite writers and artists to share their favorite books on a given topic.  

How to win a book:
To enter the drawing, please leave your name and email address in the comment section of this post by midnight (Pacific Standard Time) on April 30, 2014. A winner will be randomly chosen from all entries. Books will be mailed (to anywhere on the planet, at no charge) in May.

How to win more books:
It's a poetry extravaganza! Fifty writers are giving away over 100 books. View the list of participants here.

Good luck. Thanks for playing!

 

Thankful Thursday on Friday

gratitude's mixed bag

• the word marvelous • the first gin & tonic • national poetry month (next week!) • hanging on, letting go, knowing when and how and why • fresh air • reading the first page of a fresh book and thinking yes, this will be good • restaurants in which I don't have to shout or strain to talk and hear • sore muscles as proof that something is moving and working and alive • receiving a kind note • tears • shoes that slow me down but pick me up • a knowing laugh • a quick wit • guacamole • the hand that reaches across fog and rain and sadness to find mine • the ordinary duck, the fancy flamingo •

 

Please join me for Thankful Thursday, a weekly pause to appreciate people, places, things & more. Why? Because gratitude shifts your perspective, and expands your heart. Also, thankfulness is just good manners. What are you thankful for today?

 

Thankful Thursday: Spring!

Spring, spectacular spring! No matter where you live, winter is a long season. But spring, spring is fresh and daffodil-simple. The sun shines a wide and welcome yes. Fresh earth stirs. In this, hope, and hope again. Today I am thankful for the first day of spring.

Cue the cummings, who does spring so well. Those line breaks, the punctuation, the clear right phrase — all so seemingly random but so determined and just-yes in place.


Spring is like a perhaps hand

Spring is like a perhaps hand
 (which comes carefully
out of Nowhere)arranging
 a window,into which people look(while
 people stare
 arranging and changing placing
carefully there a strange
thing and a known thing here)and

changing everything carefully

spring is like a perhaps
Hand in a window
(carefully to
and fro moving New and
Old things,while
people stare carefully
moving a perhaps
fraction of flower here placing
an inch of air there)and
without breaking anything.

e.e. cummings

 

It's Thankful Thursday. Gratitude. Appreciation. Praise. Please join me in a weekly pause to appreciate people, places & things. What are you thankful for today?

 

Spring is like a perhaps hand (which comes carefully out of Nowhere)arranging a window,into which people look(while people stare arranging and changing placing carefully there a strange thing and a known thing here)and changing everything carefully spring is like a perhaps Hand in a window (carefully to and fro moving New and Old things,while people stare carefully moving a perhaps fraction of flower here placing an inch of air there)and without breaking anything. - See more at: http://www.poets.org/viewmedia.php/prmMID/15407#sthash.2EKQJN9r.dpuf
Spring is like a perhaps hand (which comes carefully out of Nowhere)arranging a window,into which people look(while people stare arranging and changing placing carefully there a strange thing and a known thing here)and changing everything carefully spring is like a perhaps Hand in a window (carefully to and fro moving New and Old things,while people stare carefully moving a perhaps fraction of flower here placing an inch of air there)and without breaking anything. - See more at: http://www.poets.org/viewmedia.php/prmMID/15407#sthash.2EKQJN9r.dpuf

Bookish & Curious

photo by ginnyI'm curious. You might say nosy. But, really, I'm just unusually interested.

Forget the medicine cabinet. Your big bottle of valium doesn't bat my eye. If I really want to know you, I'll sift through your bookshelf.

Jane Austen. Edward Abbey. Emily Post. Danielle Steele. Glenn Beck. Rachel Carson. Ayn Rand. Homer. Stephen King. Kama Sutra.

I'm not judging, just looking. No, really.

Thanks to a new feature at Push Pull Books my reading list is growing. At 3 Good Books I invite writers and artists to share their favorite books on a given topic.

It's been illuminating and fun, and akin to nosing around private closets and cabinets — but with permission. Here, take a peek:  

Hannah Stephenson (poet) on Artists

Allyson Whipple (poet/playwright) on Roadtrips & Realizations

Penelope Scambly Schott (poet) on Strong Women

Tracy Weil (painter) on Play


Have you read any of their favorites?

 

Thankful Thursday: To cheer the heart

It's Thankful Thursday, a weekly pause to express gratitude for people, places, and more. Please join me. What are you thankful for today?

Books sometimes arrive just when you need them. This week, two books cheered my heart:

A Simple Act of Gratitude: How Learning to Say Thank You Changed My Life

by John Kralik

You might, as I did, glance at this book and roll your eyes. Oh, how sweet, how charming. But don't let a cranky heart keep you from enjoying this small book with a big message. This honest story, simply told, will draw you in. By the last page — and it's a quick and engaging read— you'll begin to see gratitude in every person, place and situation.

Everything I Need to Know I Learned from a Little Golden Book

by Diane E. Muldrow

The ongtime editor of the iconic Little Golden Books culled the pages of the sturdy, gold-spined classics to offer a humorous "guide to life" for grown-ups. Drawn from the Poky Little Puppy, The Saggy Baggy Elephant and other stories, she pairs the images with sage advice: "Be a hugger" and "Don't forget to enjoy your wedding" — and my favorite: "Sweatpants are bad for morale."

On this Thankful Thursday, I'm thankful for books, and those who give love in the form of a book (thanks Mom! thanks Sis!).

What are you thankful for today?


Practice: A Secret You Keep


Because the blank page is just so, well, blank.

Because writers — like lawyers and doctors — are keen to practice their craft, I offer this practice poem. Please note: Layering new atop old frees the mind. Don't think, just write.

With inspiration from, and thanks to, Ex Libris Anonymous, recycling old books to create new, one-of-a-kind journals.

Second growth

Make the forest
a secret you keep.
Hemlock, fir, sitka, cedar —
grow tall in damp days, forge
hill and sky in a tower of tough skin
and bristle, an endlessness
we envy.

In this terrain, sun is memory,
light a wish. This is the myth
of patience: if you are
calm and still, if you wait,
something will arrive,
change, rearrange your
fear, your flee.

To pause in the wanting,
in the day, in the wish
and want and hope. To stop
helping, knowing, nodding,
to retreat, rewind, release.

This is the hush of understory:
the firmness between elbow and wrist,
tender rust in a knuckle,
the softness of lobe —
a forest's slow growth.

- Drew Myron

 

But Why?

Why do you write?

Do we ask painters why they paint, or chefs why they cook? We never ask bankers why they count money, but we ask teachers why they teach.

Still, it's mostly writers we probe, and who are probing. Dig, that's a job requirement, then dig deeper.

I used to think I wrote because there was something I wanted to say," says Mary Ruefle in Madness, Rack, and Honey, a collection of lectures on writing. "Then I thought, 'I will continue to write because I have not yet said what I wanted to say,' but I know now I continue to write because I have not yet heard what I have been listening to."

We write, wonder, and maybe brood. And write some more. We can't stop and we can't start. We seek explanation. Like a stomach ache — food poisoning or flu? — we want to pinpoint a reason. We want to know why we suffer, or celebrate. Why we keep on.

My work is to explain my heart even though I cannot explain my heart. My work is to find the right word even though there is no right word," explains Ayşe Papatya Bucak in An Address to My Fellow Faculty Who Have Asked Me to Speak About My Work.

Bucak tenderly touches the beautiful contradiction that writing yields. In this piece, work is a dressed-up word for write. To provide ballast, we sometimes say work instead of poems or stories. We remind ourselves that writing is not simply hobby, but calling and profession.

Terry Tempest Williams offers a two-page manifesto, Why I Write.  It's striking, clear, and every I write is  a nod and salute to the mystery of how language makes meaning.

Why write? And why do we feel so drawn to the question? Could it be that we are looking for words — our best tools — to explain what we can't? We have the religion but lack the faith. We want to prove our words hold value. But we know, too, that the stomach ache is sometimes heartache, sometimes fatigue. Or just bad milk.

I like Mary Ruefle's approach to writing, and to life: "I would rather wonder than know."

 

Thankful Thursday: Resist and List

A heavily edited manuscript by John Dickinson, known as "Penman of the Revolution."
Oh, hello, it's Thankful Thursday. Again, already. Please join me in a weekly pause to appreciate life — from the petty to the profound.

On this Thankful Thursday, I am thankful for:

1.
The first clutch of daffodils

2.
Strong coffee & real conversation

3.
Soothing classical music that plays while I'm on (terminal) hold with the insurance company

4.
Skiing under a bluebird sky

5.
Brave, a lipstick, and a critical tool in the fake-it-til-you-make-it approach to life

6.
An editor who returns my work with pages of red-ink revisions

7.
Online shopping, and the miracle of purchased items actually fitting

8.
Pisces. Perceptive, creative, sensitive. Thankful I have so many good Fish in my life.

9.
This practice of pausing for gratitude. At my most resistant, when I'm gloomy and frayed with the effort it takes to find a thread of thanks, it really is true that when I sit down and focus, gratitude gains speed and power. Inevitably, I find myself genuinely thankful.

 

3 Good Books

So this is fun.

What It Is, by Lynda Barry — a 3 Good Books pick from Hannah StephensonOver at Push Pull Books, I'm peeking into private lives, nosing around writers and artists to discover the books that fuel their work.

3 Good Books invites writers & artists to share their favorite books on a given topic. Why? Because books stir creativity, and creating expands life.

Want some bookish inspiration? Go here to see suggestions from writer Hannah Stephenson.

 

Thankful Thursday: Letters

Richard Scarry

In this short month of longish days, I'm drawn to pen and paper, to the sound of thought as it crosses the page, to the intimate quiet of letters.

The other day I wrote a letter to myself, urged me to Get a grip.

Last week, I wrote a letter to my younger self, said You are good.

I write letters in my head. For days, we correspond, though you never know.

Some days I look forward to just one thing: opening the mailbox to find a version of you. I rip the envelope, holding my breath.

It's a wonder, really, how I can write from the heart, from the head, from miles away, and just a few days later, I am in your hands. There is miracle in this exchange.

"To say what letters contain is impossible," writes Anne Carson in The Beauty of the Husband. "Did you ever touch your tongue to a metal surface in winter — how it felt not to get a letter is easier to say . . . In a letter both reader and writer discover an ideal image of themselves, short blinding passages are all it takes."

It's a Month of Letters.

Thank you for stamps and envelopes. For postcards and notes. For the scribble, the scrawl, the shaky hand. For an "audience of one." Thank you for sending light when you write.

 

It's Thankful Thursday, a weekly pause to give thanks. What are you thankful for today? A person, a place, a thing? A story, a song, a poem? Tell me, what makes your world expand?


Season the soup

Sometimes I want some sort of magic.

Reading a great book or a stunning poem, I ache for the ability, the luck, the something, to write so well. I get hungry.

Do you feel this too?

We want a recipe. So we scour and scratch and ask, how, how, how, how? We know, and we don't, that there is no one answer. But we're desperate and so we search for suggestions, hints, directions.

I like this approach, from William Stafford in Writing the Australian Crawl: Views on the Writer’s Vocation:

For me, poetry is not like the jeweller’s craft . . . polishing, polishing, always rubbing it more and more. It’s more like the exhilaration of getting somewhere. It’s like running fast and your elbows and knees may not always be exactly right . . but you’re really getting somewhere. That’s the sort of feeling writing a poem has.

I know this feeling. When I'm in the zing of creating it feels both so good and so fleeting that I write faster and faster, chasing words across the page. Like Stafford, my mind is all elbows and knees.

But don't be fooled; Stafford was his own diligent editor. A rush of words, while exhilarating, is just a good start, as he shares here:

I feel revise means ‘more . . . more . . . more.’ The feeling at the time is not that this poem is bad, but that there must be other. And there must be more. So I drift back through the poem with something of the same welcoming feeling I had when I began. I may get different signals and change something, but it’s not changing things with a stern face. Rather, it’s a welcoming one.

I like the idea of approaching revision, an activity often met with dread and uncertainty, with a welcoming spirit. Because we often search for what to cut, it feels refreshing to wonder what can I add? When making soup, we don't take away; we add salt and seasoning. We let it simmer, then enhance.

What's your best recipe for writing and revising? How do you make soup?


Try This: Get Familiar

Familiarity may breed contempt but what if you pushed through contempt to force a fresh perspective?

Routine can make us tune out and fog over. And in mid-winter, when the holiday glow is long gone and the promise of summer is impossible to hold, the monotony can feel overwhelming.

But because the answer to challenge is almost always to work through rather than against, I'm doing my best to embrace the same old, same-old routine of life. In fact, this week I've urged and encouraged the familiar to settle into my writing.

Every day this week I've set aside 15 minutes to write about  marigold garden. I have no attachment to marigolds, and don't enjoy gardening, but this topic has, quite surprisingly, stretched me. With these two words, I've reached back to recall companion planting, salsa, a funeral, hot summer days, and the creation of the Mariposa Community Garden in Denver. These two words have taken me places!

Try this: From the nearest book, randomly choose a short phrase or a string of two to three words. Don't think, just pick.

This is your phrase, and each day you'll write on or about this phrase. Again, don't think, just write. Let the pen explore ideas and connections. See where the phrase takes you. Don't make sense. Or do. Let go.

Tomorrow, write again using the same phrase. And the next day, do the same. Use this phrase for one week. 

You may grow frustrated, or bored, but keep on. When you push through the familiar, when you explore it from all angles and depths, your mind and body grows restless, then fevered, to find fresh ground. You move beyond what you think you know.

Try it, and let me know where this writing practice takes you.

Try these others too:
Try This: Postcard Poems
Try This: Alphabet Poem
Try This: Morning Read & Write
Try This: Book Spine Poetry

Thankful Thursday: Signs

Portland, Oregon - from The Joy Team

1.
On the beach this week, I find a heart-shaped stone, and then another, and another. I feel silly and self-conscious, wondering, Is this love, or am I just desperate for a sign? 

2.
In a quiet room, we meet. We're 10 minutes into talking when I realize nothing I say can change her pain. So we write about one good thing that happened this week. It takes just five minutes for us to settle into a singular memory and ride that joy for an entire hour.

3.
Sometimes I read my horoscope late at night to see if forecast matched reality.

4.
I'm reading aloud when unexpectedly my voice cracks and tears follow. While I don't fully understand what I've read, something registers:

"But there is another class of men," writes Frederick Buechner, "at their very best they are poets, at their worst artful dodgers  — for whom the idea and the experience, the idea and the image, remain inseparable, and it is somewhere in this class that I belong."

5.
In a rush of traffic, I'm anxious. I'm not looking for a sign when I spot a real one, a billboard of just three words: "You are enough."


It's Thankful Thursday. Please join me in a weekly pause to express gratitude for people, places, signs and more.
What are you thankful for today?

 

Does the page still bleed?

via Austin Kleon

Let us now travel back in time:

Remember when you wrote on paper, and your teacher/boss/editor would mark up your work with so much red ink you'd go dizzy? "The page is bleeding" you'd say, sigh, and then gather strength to make the changes.

Remember this? 

Recently, I marked up a manuscript and the young writer stared at me with a mix of horror and confusion. I had ruined her work with the ugly marks of a mysterious language.

Is this editing shorthand — long used by reporters and editors — now extinct? Does anyone write on paper anymore?

It's okay, you can tell me: Am I the last one out, and it's time to turn off the lights?